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From the
Awards Archive:
Revisiting Island of the Blue Dolphins
Revisiting the Island of the Blue Dolphins is a public humanities project and an ongoing collaboration between UC Santa Barbara and the Santa Barbara Museum of Natural History that will culminate in a public event on August 15, 2023 with the goal of creating a lasting digital impact on the community. This project will deepen »
Sara Weld
Germanic and Slavic Studies
UC Santa Barbara
Critical Machine Learning Studies: An Interview with Fabian Offert and Rita Raley
Fabian Offert and Rita Raley on why the humanities are central to critical machine learning and AI studies.
Experiments in Freedom: An Interview with Yehuda Sharim
Yehuda Sharim reflects on his his UCHRI-supported feature film, Experiments in Freedom.
Crash, Wave
Christina Lux explores the science on waves in poetic form.
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UCHRI Welcomes Matthew Hartman, Postdoctoral Scholar in Climate Communications and Environmental Justice
I received my PhD in Ethics from the Graduate Theological Union in Berkeley, where my work focused on the intersection of religious studies, climate ethics, and environmental humanities. My research explores how identity formation and the construction of narrative shape views of and responses to the climate crisis. My dissertation, “White-Hot Environments: Religious Entanglements of »
UCHRI Partners with LARB to Fund UC Graduate Students
UCHRI has partnered with the LA Review of Books to offer two spots to UC graduate students in the LARB Publishing Workshop, an intensive summer training program for aspiring publishing professionals with an emphasis on diverse and innovative publishing outcomes. The workshop will take place online between June 24 and July 26, 2024. In line »
UCHRI Welcomes Aaron Katzeman, Graduate Student Researcher
I am a PhD Candidate in Visual Studies at UC Irvine researching contemporary art and film produced alongside resistance to military occupation, social movements for agrarian reform, and anti-colonial national liberation struggles. In my dissertation, “Aloha ‘Āina as Medium: Land, Art, and Sovereignty in Post-Statehood Hawai‘i,” I trace a counter-institutional lineage of visual culture advancing »